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Sauce Castillo & The Mondegreen

April 8, 2015

Nik Stauskas is still coming to terms with his new nickname — and how he got it.  The NBA rookie has gone from Sacramento Kings bench-warmer to full-on marketing sensation in a week, all because of a little misunderstanding.

Kings coach George Karl put Stauskas into a game last week against the lowly Philadelphia 76ers. When Stauskas took his first shot, those watching on TV noticed the broadcast’s closed captioning system having some trouble with his name.  Nik Stauskas somehow became — in white text at the top of the screen — Sauce Castillo.

People watching at home caught it right away.  It was funny.  It became a thing.   And just last night, Kings fans celebrated Sauce Castillo Night in Sacramento.  It’s only a matter of time before they change the name on the back of his jersey.

Sauce Castillo is the latest example of what I call “The Anxiety of Inference” — our assumption that we can count on the systems we’ve built to infer what we mean to say and do.

Machine learning and predictive analytics have become so sophisticated, we expect our phones will guess our next word before we type it, our cars will know where we’re going before we put it in the nav, our restaurants will know what we want to eat before we order it.  If you’re a smartphone, car or restaurant, that’s a lot of pressure.

When it comes to failed inference, Damn You Autocorrect is by far the champ.  An infinite collection of smartphones’ hilarious mistaken presumptions, the site’s become a rabbit hole for all of us who appreciate the beauty of computers who — try as they may — don’t quite understand us yet.

To be fair, human beings can be just as guilty.  This VH1 site is dedicated to how much we’ve misunderstood our favorite songs.  And Jimmy Fallon’s new show, Lip Sync Battle (Thursdays 10pm/9c on Spike TV), is filled with big stars pouring their hearts into live performances of their favorite songs — sometimes with mistaken lyrics.

When a word is misheard or misinterpreted, whether by human or computer, it creates new meaning, and that’s called a mondegreen.  Here are some clsssic examples:

Infographic: Top Most Commonly Misunderstood Lyrics in Music

Sometimes we commit so completely to our misunderstanding of a song’s lyrics — even after we’ve been corrected — we can’t imagine the song any other way.  That’s called mumpsimus.

A few years ago, I gave a talk called The Poetry of Misunderstanding. I argued that mishearing, misremembering and misunderstanding sometimes lead to magical consequences.  The idea that the new thing that’s created when something gets lost in translation…is sometimes more beautiful, exciting and profound than the original thing we misunderstood.

Holden Caufield’s misinterpretation Robert Burns’ poem, Comin’ Thro The Rye, lies at the heart of The Catcher In The Rye.  Jimi Hendrix loved misquoted lyrics of his songs so much, he often performed them that way in concert.  And then there’s the famous mistranscription of Fall Out Boy’s hit song, Sugar We’re Doing Down, which I’d argue makes the song infinitely more enjoyable.

Now technology has given us another reason to laugh and celebrate, this time in the form of an unremarkable, unwitting rookie from the Sacramento Kings, who may never achieve a thing on the court, but who shall live on forever as… a sauce.

Us

16 Kinds Of Dangerous People I’ve Been Staying Away From

April 4, 2015

Am I a people person?  Depends what kinds of people.

I’ve got the great fortune of a life filled with amazing folk.  People from all walks of life who inspire everyday wonder and joy — they’re probably the greatest thing I’ve got going for me nowadays.

As we emerge from the brutal winter, I’ve noticed certain kinds of people I’ve been staying away from.  Who, as I learn more about who I am and what I care about, I’m flagging on my radar faster than I used to.

Self-defense?  Maybe.  Or just that I know what I want, I know what makes me happy and healthy, and I’m going for it.

My friend, Gary Vaynerchuk, had an idea: “I’d round up the top 50,000 to 500,000 people that I can find who have those qualities — empathy and self awareness (which in turn lead to lack of cynicism) — and make them mate with each other at scale.”  Good idea!  (Then he wondered what we’d do with all the other people still around, people “who make the world worse.”)

Here are some of the kinds of people I say we all start watching out for.  If we team up, maybe we can scare them away.  And maybe we won’t become them, either.

1. People who know how this all began.

2. People who can’t contain themselves.

3. People who think nobody notices.

4. People who don’t know what they’re afraid of.

5. People who read too much.

6. People who don’t take naps.

7. People who know the answer.

8. People who take real vacations.

9. People who have no tattoos.

10. People who have no questions.

11. People who would never work for you.

12. People you can’t not invite to the meeting.

13. People who don’t show wonder.

14. People who can’t even.

15. People who can sit still.

16. People who know how this will end.

News

Some Thoughts On BRIC, Brooklyn’s Beloved Arts Organization

December 13, 2014

Jordana and I were recently interviewed by Brooklyn Independent Media about BRIC, Brooklyn’s beloved non-profit arts organization.

For 35 years, BRIC’s been driving and reflecting the cultural diversity and creativity of our favorite borough, led by its brilliant visionary, Leslie Schultz.

From live music and performing arts (the Celebrate Brooklyn! Performing Arts Festival and BRIClab), to contemporary art exhibitions and programs, to community media programs (Brooklyn Free Speech TV, Brooklyn Independent Media, and Brooklyn Bulletin Board), it’s a Brooklyn gem.

Here’s what we had to say about this special place:

2014 BRIC Gala – Ross Martin & Jordana Martin from Brooklyn Independent Media on Vimeo.

Poetry

Underground Poems On A Rainy Day

October 11, 2014

It’s a rainy Saturday and The Best American Poetry blog features a story on Boston introducing poetry into its mass transit system.

Subway poetry isn’t new.  From the PERverse to the SUBverse, graffiti poetry has always lit up the underground.  Here in New York, “Poetry In Motion” is the formal approach powered by the Poetry Society of America, resuscitated by the MTA in 2012.  The Poetry Society thoughtfully (if not carefully) surfaces bright lines from classic poems and clever turns from poets whose subjects reflect the rich diversity of the city.

However, probably to conform with the MTA’s mission to offend no one, poems are presented in benign rectangles with a “safe” visual aesthetic, certain to add nothing.  Its designs are often childishly reductive or unnecessarily obvious.

(The worst offense of NYC’s subway program, by far, is that it often publishes poems by Billy Collins.)

Boston is improving the model.  Its interpretive design approach serves to enhance, add dimension and attract commuters who might otherwise have their heads stuck in the same device they’ve been staring at all day.  Even when sad or contemplative, like this one from Amy Lowell, they fit perfectly into today’s wet doldrums:

 

Boston is risking more than other cities because its poems often lean head first into the city’s most raw and vulnerable spaces. Like this one, called “Marathon,” by Nick Flynn:

The ambition behind both efforts and their corresponding websites feels good to just about any urban dweller open to a little something different in the cracks of the day.  Why not?

A chance to stop and consider, in the dark wifi-less patches, more train traffic ahead of us.

 

Us

A Brisk Morning & A Morning Risk

September 19, 2014

If you told me when I was a graduate student in poetry that, 20 years later, I’d be addressing someone called a “Chief Risk Officer” and his executive leadership team at one of the largest financial services institutions in the world, sharing strategies and insights on innovation and risk management… I would have told you to please not interrupt me when I’m playing NHL Hockey on my Sega Genesis.

Quite a risk, this executive took in handing me the mic for an hour this morning!

So there I was, bright and early, kicking off my talk by offering common ground between the risks a big bank takes and the risks media companies (like the one I work for) take. I led with a clip from Comedy Central’s incredible series “Nathan For You,” now wrapping up its second season.

If you haven’t seen the show, it’s so worth checking out here. In the meantime, here’s a segment from the show’s already famous “Dumb Starbucks” episode, in which Nathan attempts to mitigate risk by implicating a befuddled “attorney” in his scheme.

Comedy Central’s programming, lauded recently in this great piece on Vox, is filled with examples of a network taking risks — and winning because of it.  From Key & Peele to Drunk History, not to mention the daily fearlessness of Jon Stewart, “the channel always has something worth watching,” says Vox writer Todd VanDerWerff.
Yes.  And that’s because there’s nearly always something it bets on, something at stake, something not exactly safe.Like putting a poetry major in front of a bank’s risk management team.

Us

Congratulations To Viacom’s MBY Graduates

September 18, 2014

I had a super fun time today celebrating the 151 graduates of Viacom’s “Maximizing Brand You,” a peer counseling and career development program that helps assistant- to director-level employees define and strengthen their own personal brand.  The year-long program has participants define their career goals and gives them the mentoring and skills they need to achieve them.

Congratulations to all of this year’s graduates.  Your selfie sticks are on their way.  In the meantime, here’s the shot I just took with you!


DCIM101GOPRO

News

Research You Can Walk Through

August 19, 2014

For years, Scratch has studied the compression of time and space between, say, a good idea and a better one; a thriving company and a dead one; instant success and precipitous failure and then (often in a reality show?) premeditated redemption.

“Time’s moving faster than ever,” right?  Sure it is, or at least if feels like that, depending on how much (food, content, stimulus, etc) you consume in a given period of time.  But those who stop right there and land on “we’ve just got to move faster to keep up” — are missing the point and will face extinction.

The winners of the 21st century, so far, are those who obsessively pursue a deeper understanding of the ways in which Millennial consumers are calibrating their speed at every turn.  Slow food and binge viewing; nap pods and Adderall; apps to consume more in less time and apps to fight distraction, the quantified self and the self #unplugged.

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Yesterday, Viacom’s blog featured a post by Tiffany Knighten about CADENCE, a project Scratch kicked off last month to present new perspectives on the speed of life in 2014:

“Open to teams across the company, as well as select partners and clients, the month-long installation – part research presentation, part museum exhibit, part art gallery – brought Viacom’s consumer insights to life in a new way. Cadence was designed to help visitors experience the unique approaches programmers, content creators, marketers and brands are taking to calibrate their moves in a culture that’s compressing time and space in more and more complicated ways.”

I’ve been excited about this for a while, for a few reasons:

  •  It’s impossible to perform at a high level in the media business without a nuanced understanding of the velocities of culture.  That sounds like a media executive taking himself too seriously on his own blog, but it’s true.  Most of us get it wrong, most of the time — we’re either ahead of the game, patting ourselves on the back prematurely, or we’re behind it, fighting irrelevance.  Stepping back to measure the distance gives us all a chance to catch our breath and look at things with colleagues and partners in a new way.  Then apply what we learn to our daily work, whether we’re writers, programmers, developers, marketers, designers, strategists, planners or anything in between.

 

  • Speaking of a new way… it’s exciting to see research served up to make participants feel the information as they move through it.  Anne Hubert, Senior Vice President at Scratch, describes CADENCE as “truly immersive, a chance to experience life at Millennial speed, and to apply that understanding to everything we do.”  Watching participants take it all in, explore the subject and raise new questions, I could see the need and the potential for bringing more subjects to light in new and exciting ways.

 

  • An enterprising team of people from Scratch made this happen…from scratch.  It’s what can happen when provocative material doesn’t want to live locked up in a PowerPoint deck in a conference room.  The content itself inspired innovation in the way it could be manifest.

 

You can read more about the CADENCE project on the Viacom blog.  And for more information, email scratch@viacom.com.

 

 

News

To The Next Person Who Tells You “Settle Down”

July 20, 2014

Tell us impossible.  Tell us we can’t.  That thing we see in our heads — that thing that hasn’t been done.

He can’t, she won’t, we’ve never.  Tell us settle down, settle down.

Ok now listen close: We.  Never.  Settle.

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We never give up, we never give in, we will Never.  Settle.  Down.

Bring on the roadblocks, build up the walls and stand the armies between us and what we imagine.

Then go away.  Leave us be.  Leave us alone with our gang.

Leave me with bandits and leave me the freaks, the makers and the crazy believers. The ones who can’t sleep, the ones who can’t stop, the ones who can never sit still.  Who burn and yearn and feed on the doubt and fear.

Leave me alone with the ones who have been here and the ones who never have.

The ones who don’t know how but believe they can.  The ones who have everything to lose.

The ones who’ve seen us and want to know what it feels like.  The ones who’ve earned their shot.

The ones who stare and the ones who dare.

Look us in the face and say it again, say “Settle down, (your name here), you will never get that done.”