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Amy Chozick’s New York Times Story On General Motors & Scratch

March 22, 2012 — 10

Fabrizio Costantini for The New York Times

Ross Martin, left, of Viacom’s creative strategy unit, is working with General Motors to help revive interest in cars among young consumers. Mr. Martin and John McFarland of Chevrolet are shown in G.M.’s headquarters in Detroit.

As Young Lose Interest in Cars, G.M. Turns to MTV for Help

By

DETROIT — Ross Martin, 37, is a published poet and a former drummer in an alternative rock band. Wearing Nike high tops and loosefitting jeans, he is the kind of figure who wouldn’t attract a second glance on the streets of Brooklyn, where he lives.

But on a chilly afternoon here last month he managed to attract a few odd looks as he walked across the 24th floor of General Motors’ global headquarters. Mr. Martin is the executive vice president of MTV Scratch, a unit of the giant media company Viacom that consults with brands about connecting with consumers.

He and his team are trying to help General Motors solve one of the most vexing problems facing the car industry: many young consumers today just do not care that much about cars.

That is a major shift from the days when the car stood at the center of youth culture and wheels served as the ultimate gateway to freedom and independence. Young drivers proudly parked Impalas at a drive-in movie theater, lusted over cherry red Camaros as the ultimate sign of rebellion or saved up for a Volkswagen Beetle on which to splash bumper stickers and peace signs. Today Facebook, Twitter and text messaging allow teenagers and 20-somethings to connect without wheels. High gas prices and environmental concerns don’t help matters.

“They think of a car as a giant bummer,” said Mr. Martin. “Think about your dashboard. It’s filled with nothing but bad news.”

There is data to support Mr. Martin’s observations. In 2008, 46.3 percent of potential drivers 19 years old and younger had drivers’ licenses, compared with 64.4 percent in 1998, according to the Federal Highway Administration, and drivers ages 21 to 30 drove 12 percent fewer miles in 2009 than they did in 1995.

Forty-six percent of drivers aged 18 to 24 said they would choose Internet access over owning a car, according to the research firm Gartner.

Cars are still essential to drivers of all ages, and car cultures still endure in swaths of suburban and rural areas. But automobiles have fallen in the public estimation of younger people. In a survey of 3,000 consumers born from 1981 to 2000 — a generation marketers call “millennials”— Scratch asked which of 31 brands they preferred. Not one car brand ranked in the top 10, lagging far behind companies like Google and Nike.

The five-year strategic vision that Scratch has developed for Chevrolet, kept quiet until now, stretches beyond marketing to a rethinking of the company’s corporate culture. The strategy is to infuse General Motors with

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Sergey Brin’s Donation Might Help Us Find Bolislav

October 26, 2009 — 0

Did you read the NY Times story about Sergey Brin’s $1MM donation to the organization that saved him and other Jews from death at the hands of Russian anti-semites?

Maybe the money I sent to Bolislav Vainman, my “Russian Twin,” in 1986, did find its way to him, after all. Maybe my mom was wrong, maybe Bolislav, like Sergey, did, as I predicted, use my Bar Mitzvah money to move to Israel, start a tech company, sell it to Sun Microsystems or something, and live happily ever after while I toil in Times Square?

Before Sergey Brin co-founded Google, he was a little Jewboy getting beat up in Russia. This is what he looked like…

brin

The Hebrew Immigrant Aid Society is going to use Sergey’s donation to digitize their records. That might mean they’ll help us in our search for Bolislav Vainman. But as of tonight, when I search for Bolislav, I am left feeling like a hungry Russian dog, cold and alone in the Siberian desert: 

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Antonio Campos’ “Afterschool” Is The Best Movie You Probably Won’t See This Year

September 30, 2009 — 7

Unless you trust me.

Is this movie going to make you laugh? Probably not even once. Is it going to make you go out and buy the soundtrack? Nope, there is no music in the movie.

So why am I recommending AFTERSCHOOL so strongly? Because in the midst of all the complete fucking shit in the theaters right now — (darn, promised I would be “more nicer” after Yom Kippur.)

I first heard about Antonio Campos from his manager, my friend, Melissa Breaux of Washington Square Arts. That was like 3 years ago.

Antonio’s least appreciated in America, but he’s our greatest young American filmmaking hope. You know who loves him? Cannes. The French get him. The Germans do too, I think. He is beloved in Armenia. Even the New York Times and The Village Voice. So what are the rest of us waiting for?

Nothin. It’s time. Watch this trailer. See this movie. Then join me in welcoming one of the most original, visionary voices in independent film in years. There’s just nobody like Antonio Campos. Nobody. See for yourself…

PS Check out Antonio’s incredible music video for The Shins, which was #1 on the college charts for 3 months.